Tag Archive for 'film'

Bamse blir animerad långfilm

Sedan en månad tillbaka jobbar produktionsbolaget Tre vänner för fullt med förberedelserna till långfilmen “Bamse och tjuvstaden” I filmen får vi följa Bamse, Skalman och Lille Skutt på ett nytt spännande äventyr genom Trollskogen och in i Tjuvarnas stad för att rädda Farmor från den elake Reinard räv. Filmen som beräknas bli 60 minuter kommer även att visas som TV-serie på SVT.

Bamse är en svensk tecknad barnserie som skapades av Rune Andréasson under 1960-talet. Sedan seriens start har den lästs av flera generationer och är en av de allra största i sin genre. Animationen av långfilmen kommer att påbörjas under våren 2012 och premiären är beräknad till julen 2013. Inspelningen sker i samarbete med Sluggerfilm och regissör är Christian Ryltenius. Filmen produceras av Jon Nohrstedt, kontakt jon.nohrstedt@trevanner.se.

Filmen om bamse har ­varit på gång i flera år – men premiären har vid två tidigare till­fällen flyttats fram . Nästa vår ska filmen börja animeras i Taiwan men innan dess ska de svenska serietidningstecknarna skapa inspirationsbilder och storyboards.

– För oss är det viktigt att få till den rätta känslan. Från början pratade vi om att göra bakgrunderna digitalt men det kändes inte bra. Nu ska alla bilder ritas för hand, ruta för ruta, säger producenten Jon Nohrstedt.

Attack the Block – Behind the scenes

Fido did extensive CG work for Joe Cornish’s acclaimed sci/fi/comedy hit “Attack the Block”.

Fido crew:
VFX Supervisor: Mattias Lindahl
VFX Producer: Nils Lagergren
2D Supervisor: Fredrik Höglin
Lead 3D Artist: Aron Makkai
Compositing: Andreas Cronström, Richard Sällqvist , Andreas Karlsson,
Daniel Norlund, Martin Borell , Tomas Näslund, Mattias Alvarsson,
Pontus Albrecht & Victor Sanchez
3D Artists: Björn Henriksson & Joakim Eriksson
Modelling/Rigging : Magnus Eriksson
Matchmove Artists : David Nielsen, Marcus Forsberg
Texture & paint: Marcus Forsberg
Animators: Andrea Kozakova , Staffan Linder, Jonas Kärn, Niklas Lundgren & Kristoffer Björnör
R&D: Fredrik Limsäter
Systems Administrator: Thomas Ericsson

Pipeline R&D Technical Director

Fido is looking for a Pipeline R&D Technical Director to join their permanent team to work on feature film and commercial productions and to continually improve pipeline, solve problems and maintain the production workflow.

Fido is one of the leading providers of visual effects in Scandinavia. Some of our latest work includes Underworld ­ Awakening (stereoscopic version), Attack the Block and Iron Sky. We’re currently working on Kon Tiki and a range of commercials and we have a number of exciting projects coming up. Our state of the art production pipeline supports both our feature film and commercial projects using a range of different tools including Maya, Nuke, Houdini, Mudbox, Renderman, V­Ray, Tractor etc.

Responsibilities include:
Pipeline development, customization and support
Research, recommend and implement improvements to our workflows that will improve productivity or communication. Support and maintain FTrack (our asset management and production tracking system)
Communicate with artists, department leads, and supervisors on a daily basis to understand day to day production workflow needs.
Training and Documentation

Requirements:
3+ years professional experience in film visual effects / animation production workflows.
Strong skills in Python and familiarity with other scripting languages used in production. Excellent problem solving skills. Good knowledge of Linux. Familiarity with network render queuing systems is a plus (we’re using Pixar’s Tractor).Knowledge of networking and performance issues that arise with automated tools.Excellent organizational and communication skills, with the ability to work effectively in high pressure environments.Scripting knowledge in Autodesk Maya and Nuke. (Houdini is a plus) Knowledge of 3D/2D production software APIs a plus. Knowledge of manage and administrate SVN or GIT repositories is a plus.

In May 2011 Fido Film was acquired by Forestlight Studio, a Swedish film studio that produces 3D
animated feature films aimed at children and families for the international market. Included under theForestlight group is also Noble Entertainment, one of Sweden’s strongest independant film distribution companies who has, since 2002, distributed more than 600 films to both cinema and dvd.

For more information go to www.forestlight.se and www.nobleentertainment.com
Please send your resume to Fredrik Limsäter, fredrik.limsater@fido.se

Falu Rödfärg

Lundberg & Co contacted us and asked if we could help them in the creation of three new spots for Falu Rödfärg. In the creation of these TV-commercials, we combined scenes were we used traditional cell-animation with scenes shot with the new RED EPIC. In addition, the final pack-shot-scene was done in 3D. So, in sum this job sumarise what we like to do best – that is combining different techniques to create qualty works.” – Filmic Art

Client: Falu Rödfärg
Agency: Lundberg & Co
Director: Filmic Art
Production Company: Filmic Art
DOP: Jörgen Lindskog
2D animation: Henrik Stensnäs, Filmic Art
3D animation: Filmic Art
Sound Design: TMP

Så tänker jag – Hur tänker du?

Filmen är producerad av Varelsen i samarbete med Unsworn Industries.

The Legend of Mad Brew

The Mad Brewing Company was established 1676 with the slogan “It’s the Mushrooms” to promote its flagship product, the Mad Brew. The brewery was located in a hidden cellar under the famous brewery building at Åsögatan 119 in Stockholm, Sweden.

It is rumored that the fine quality of the Mad Brew was a combination of some secret components and the fact that the brewery was completely run by group of gnomes who, in a trade union dispute had left the Santa workshop in the North Pole and moved to Stockholm.

When the brewery building at Åsögatan was bought by Friedrich Rudolph Neumüller in 1853, the business of The Mad Brewing Company continued in some hidden basement under the building.

Today, a furniture store owns the old brewery but some people believe that gnomes are still hard at work somewhere in the building, fine-tuning the old Mad Brew recepie.

Credits:
Idea: Joel Sundberg
Concept: Joel Sundberg
Modeling, Texturing: Joel Sundberg
Shading: Joel Sundberg, Fredrik Brännbacka
Animation: Kristian Ström
Lighting: Fredrik Brännbacka
Compositing: Fredrik Brännbacka, Joel Sundberg
Sound: Sergeant Tom

Rendered with Arnold.

Mad Crew

11 of september – Trailer

Director / Editor: Angela Bravo
Character Design: Alexandra Campbell Marshall
Animation: Alexandra Campbell Marshall, Joakim Jonsson, Linus Hallström, Tobias Larson, Kalle Lotta Mossige-Norheim
Post prod: Joakim Jonsson, Kristina Frank
Music / Sound mix: Anders Ehliln
Interview: Manuel Cespedes, Silvia Leiva

Brokiga filmerna – work in progress på BUFF torsdag 15 mars 2012

Stellan Skarsgård är berättarröst till de kommande ”Brokiga filmerna” där Stina Wirsén regidebuterar. Det är en samling kortkorta filmer för de allra minsta, där karaktärerna är brokiga, bråkiga och oförutsägbara…

”Dessa historier är enklare och rakare- de vänder sig till ännu mindre barn. Min förhoppning är att vi lyckats göra filmiska små pärlor med tuggmotstånd. Man ska inte underskatta sin publik. De allra yngsta behöver berättelser med innehåll och relevans.”

Stina Wirsén

Brokig, det vill säga, flerfärgad, flermönstrad, plåttrig och rörig, är samlingsnamnet för berättelserna om en liten Skär och alla små Brokiga.  Liten Skär och hennes färgstarka kompisar är söta att se på men inte alltid helt lätta att tas med.

De Brokiga filmerna är berättelser om att leka- och om att finnas till i förhållande till andra. Känslorna svallar i dessa små filmer, det är tvära kast mellan kärleksfulla pussar, tjyvnyp och dråpliga snubblerier, -detta är lek på blodigt allvar.

De brokiga filmerna handlar om Alla barns rätt att vara som de är: arga, lortiga, glittrande glada eller melankoliska. Små barn- och vuxna- behöver bli sams med alla sina känslor, vi har väl alla haft lust att bita någon ….lite för hårt?

 

”Vi kontaktade Stellan Skarsgård i utvecklingsarbetet med Brokiga filmerna och han ville vara var med direkt!” Han är perfekt. Rollen han har är att försöka styra upp och medla mellan dessa små, ibland lyckas han, ibland går det sämre. Han är väldigt förtjust i sina små brokiga, han tröttnar emellanåt. Vem skulle inte göra det? ” Stina Wirsén

Brokiga filmerna produceras av LEE Film i samproduktion med Film i Väst och med stöd av SFI och Nordisk Film och TV fond. Framgångsrika samarbeten fortsätter. Regissör Stina Wirsén och producent Linda Hambäck arbetar åter ihop efter Vem-filmerna.

Brokiga filmerna har premiär på SVT och YLE, under hösten 2012.

För mer info och intervjuer kontakta: Linda Hambäck tel 0704-2166 11

 

Beyond Beyond

 

(Klicka för att se bilderna större)

Beyond Beyond
Beyond Beyond is a story about wanting the impossible. And it is a story about a little boy, not old enough to know the guidebook to life, picking a fight with the most powerful force. Learning about existence little by little.

Synopsis
Johan and his father have lived at sea for as long as Johan can remember. Or at least since he was three when his mother disappeared. Johan likes the ship. It has a greenhouse where they grow carrots, and it has fishing nets. Johan is good at diving and at mechanics, and helps his father re- pairing the ship. One day when Johans father go for provisions and Johan is left alone on the boat, he recieves a distress call on the radio with a clue to where his mother is.

The Universe
Beyond Beyond takes place in two universes: the world of the living and the world of the dead – The Kingdom of the Feather King. The world of the living looks like our world apart from being populated by rabbits instead of humans. They act as humans, live in houses, sail ships and have hu- man feelings. The Kingdom of the Feather King is an infinitely large place with infinite numbers of rabbits. As the story Beyond Beyond goes on The Kingdom of the Feather King changes from being a very sad place to be an amazing place to spend eternity. And this change is what Beyond Beyond is all about.

Directors note on the visual style
I want to work with a high level of detail and tactility in the visuals. I am aiming for a universe with a lot of depth in the images, and a feeling of ‘everything being possible’. It will have fog and dust particles in the air, so it feels like the air has a mass. The characters will look like you can grab them and touch them. The main charac- ter, Johan, who goes to the underworld to get his parents back, is a very small and thin creature, who looks like he could be blown away by a gust of air.

Director Esben Toft Jacobsen
Esben Toft Jacobsen was born in 1977. A former student of visual communication at The Danish Design School, he went on to graduate from The National Film School of Denmark as an Animation Director in 2006. In 2007 Esben was awarded a special mention at the Berlinale for his graduate film, ‘Having a Brother,’ in 2008 he took part in the Talent Campus an in 2011 his Feature Film debut The Great Bear was officially selected for the Generation Kplus section.

Filmography
Beyond Beyond (expected completion 2013) Feature Film The Great Bear (2011) Feature film Kiwi & Strit (2008) Short film as part of Carsten & Gitte’s Movie Madness Having a Brother (2006) Graduation film from the Danish Film School

Producer Petter Lindblad
Petter Lindblad was born in 1975, and graduated from the Royal Institute of Technology in Stockholm in 2000, where he received a Masters in Media Production. In 2005 he graduated as Master in Euro- pean Audiovisual Management from the MEDIA-supported Media Business School in Spain. Petter has worked at Zentropa in Denmark, and from January 2007 for Copenhagen Bombay. Since June 2011 he is running the Swedish branch Copenhagen Bombay Sweden AB.

Selected filmography
The Secret of the Iceflower (2011), Short film, Dir. Jacob Ley
The Great Bear (2011), Feature film, Dir. Esben Toft Jacobsen
The Apple & The Worm (2009), Feature film, Dir. Anders Morgenthaler
Carsten & Gitte’s Movie Madness (2008), Dir. Anders Morgenthaler a.o. (line producer)

Crossmedia
In parallel with producing the film, a digital game will be developed – a high concept, interactive story in 10 episodes using elements from ad- venture puzzle games with a lot of physics. The intention is to expand the world we already know, using the story in the film as the game’s A-plot and adding several B-plots in the game. The game will have the same visual and story properties as the film, and be told with strong moods and subtle humor. The game is aimed for tablets as the primary delivery platform, and is developed with support from MEDIA.

Credits:
Director: Esben Toft Jacobsen
Written by: Esben Toft Jacobsen & Jannik Tai Mosholt
Producer: Petter Lindblad
Co-producer: Sarita Christensen
International sales: Copenhagen Bombay Sales ApS
Production company: Copenhagen Bombay Sweden AB in co-production with Copenhagen Bombay Rights 1 ApS

Financing (development): CB Sweden AB, CB Rights 1 ApS, The Swedish Film Institute, The Danish Film Institute, Film i Väst, Nordisk Film & TV Fond, CB Sales ApS

Technical information
Animated Feature Film
Target Group: 7 – 12 years
Length: app. 80 min
Tech.: Stereoscopic 3D, Animated in Maya
Budget: 2,8 mio Euro
Director: Esben Toft jacobsen
Year: expected completion in 2013

Contact
Malene Iversen, Head of Sales,
Phone: +45 25419911 / malene.iversen@copenhagenbombay.com

Petter Lindblad, Producer,
Phone: +46 73321600 / petter.lindblad@copenhagenbombay.com

Free the King

TheKing

Hobby Animation, the Swedish based animation-production company, launches an advertising competition entitled ‘Free the King’ with the aim of abolishing the Swedish monarchy.

Hobby Animation, together with the Republican Association, has launched an advertising competition entitled “Free the Swedish King”. Creatives and advertising students from all over Europe are invited to participate in the competition by sending in an idea for an animated film. A panel of judges will decide which idea will be produced by Hobby Animation.

- ‘To quote the Swedish writer Vilhelm Moberg; “Heads of States shall be appointed by law, not through sexual intercourse. To inherit your mother or fathers profession is neither democratic nor such a good idea. Therefore we have created this competition together with the Republican Association to increase the debate around our monarchy’ says Calle Isberg, Executive Producer of Hobby Animation.

Hobby Animation was founded in December 2011 and is a daughter company of the award winning Swedish production company Hobby Film.

                                                                                                                                 

Brief: Develop an idea for an animated TV- Commecial of about 10-60 seconds. The films pourpouse is to make people want to abolish the Swedish Monarchy. The republican Assosiation is the client.

Price: The jury will select a winner and Hobby Animation will produce and pay for the production of the winning entry . The film will be shown to 1,5 million people of Swedens largest network site , the Nyheter 24 group. The winning creative /s will receive glory and a trophy.

New Improved jury: Arvid Svanvik, CD, Carl Johan De Geer, Artist, Fredrik Ganslandt, CD, Gudrun Schyman, Politican, Mathias Päres, CD, Mårten Knutsson, CD, Oskar Bård, Director, Tommy Wiking, Republican Assosiation.

Rules: Send your written / drawn idea on a A4 in a PDF format. One idea per person/team. All text must be in English. Enter contact information in PDF and wich of animation directors you think is most appropriate to direct your idea: Jonas Odell, Kristoffer Ström or Koja.  The contest is open to advertising creatives and advertising students world wide.

Email Your enteries to: info@hobbyanimation.com

Deadline: 29th February 2012

More info on the topic: http://repf.se/  or http://aerm.org